
Exploring Tan’s youth and corresponding nostalgia, cringe, and inspiration make it a layered and beautiful film that filmgoers everywhere can take something from. The documentary follows Sandi Tan’s journey, recovering the footprints of her enigmatic film mentor who pilfered her student footage. But its quirkiness is what makes it special.

Shirkers (2018) A visit to Sandi Tan’s student past engrosses audiences in “Shirkers.” The emotional conflict is real in this one.
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The first Asian-American movie on this list, Lulu Wang’s The Farewell focuses on the cultural divergence between an immigrant and their family at home.īilli (Awkwafina) clashes with her family’s decision to hide the news of her grandmother’s terminal illness in accordance with Chinese cultural beliefs of collectivism. The Farewell (2019) “The Farewell” focuses on the cultural divergence between immigrants and their family at home. Its deep cinematic hues reflect the complexities between the estranged pair making you fall in love with the idea of love as their potential love blossoms slowly and heavily.Ĥ.

The movie has been hailed as one of the most gorgeous films. “In the Mood for Love” explores the romantic possibility in the “what-if.” In the Mood for Love is a 2000 Hong Kong film that follows two spouses whose partners are having an affair. The saying goes, it’s better late than never, doesn’t it? 3. If you haven’t watched it already, it’s never too late to jump on the bandwagon then. After it swept through American award ceremonies and received the Best Picture Oscar, it experienced one of the biggest revenue boosts for the best picture winner in the past decade. “Parasite” experienced tremendous box office growth following their Best Picture Oscar Parasite is definitely the It movie of 2020. This is a film so universal in its language and intent that it speaks to every immigrant experience, namely the fight for the American dream. The film plays loosely off of Chung’s own immigrant experience, following Jacob’s (Steven Yeun) struggle to support his family and make his claim. Minari, directed by Lee Issac Chung, is a Korean-language film that swept the 2021 award season.

In honor of Asian American and Pacific Islander Month, here are some phenomenal movies to expand your watch list. Yet there is no reason to rely on algorithms and consumer formulas to find your next obsession. This new wave of online streaming has pushed other platforms to mimic Netflix’s approach of embracing international films with unprecedented outreach and advertising pushes.

In 2018, Roma received rapid popularity through its release on Netflix which widened accessibility beyond that of theatre reservations.
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It’s almost like executives believe that theater owners simply do not know how to market them to an American audience.īut Bong’s words endure as modern Western cinema changes to embrace international- and domestic-fomented Asian films - not just an accolade subcategory, but as a source of mainstream entertainment. This motto has persisted in studios choosing to smother and censor foreign films from the big screen. The Hollywood motto: if it doesn’t make money, it doesn’t make sense. Hollywood has a problem of constricting American cinema culture to a congruent reservoir of English films. In his acceptance speech for the Golden Globe for Best Foreign Language Film honoring his groundbreaking film, Parasite, Bong Joon Ho began by saying, “once you overcome the one-inch tall barrier of subtitles, you will be introduced to so many more amazing films.”
